FASCINATION ABOUT CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are frequently craving romantics, using this type of change: Buster appears to be a plausible mate, and also the Tramp rarely seems to have a libido, only idealized notions. If their comedies had been built in a far more liberated time, it is achievable to assume Keaton in bed with a girl, but disquieting to think of the Tramp as being a sexua